Saaho 2019

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Chicken Curry Law 

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Peranbu (2018)

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Super Deluxe (2019)

Spider-Man: Far From Home 

         Student Of The Year 2

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No Fathers In Kashmir

Untold stories from the valley
No Fathers In Kashmir Story: A teenage girl from Britain, Noor visits Kashmir with her mother only to stumble upon the real story behind her missing father. She befriends a local Kashmiri boy, Majid who has suffered a similar fate and he agrees to help her unravel more truths. But their pursuit ends up taking a different turn.
No Fathers In Kashmir Review: Director Ashvin Kumar’s previous works – 2004’s Oscar nominated short film Little Terrorist and National Award winning documentaries, ‘Inshallah, Football’ and ‘Inshallah, Kashmir’ have explored the region’s troubled political backdrop. And with ‘No Fathers in Kashmir’ he takes the narrative forward.
The filmmaker brings forth a brutal and harsh reality of the Kashmir Valley through the eyes of young Noor (Zara Webb) and Majid (Shivam Raina). When Noor finds out that both their fathers were ‘picked up’ (the meaning of which Noor eventually understands) by the Indian army years ago, with no news of them since, she wants to find out more. Her probing unravels more than what she bargained for including the double dealings of an idolized, radical local leader, Arshid (Ashvin Kumar).
Despite the grim story it sets out to bring forth, No Fathers in Kashmir is sprinkled with heart warming, light moments of interaction which bring a smile to your face. Especially the moments between Noor and Majid, that eventually develops into a tender love story even though their present realities and circumstances are so different.
Captivatingly shot (barring the mobile camera shots which are jarring), the film soaks you in the breathtaking beauty of Kashmir and creates a poignant juxtaposition with the scars of conflict apparent in the valley. Add to that, the haunting background score that is mostly drawn from local folk music, adding its own dimension. The screenplay is delicately balanced with the filmmaker highlighting the dilemma on both ends. While the story is heart-wrenching and mostly gripping, the pace of the film does underwhelm at times.
The superbly talented actors, Soni Razdan and Kulbhushan Kharbanda add their heft to the film as Noor’s grandparents in Kashmir. While Razdan’s emotive eyes do most of the acting, Kharbanda’s character is the voice of reason in the film. Ashvin Kumar as Arshid plays a crucial role, effectively. But it’s the innocent charm of the lead pair Zara Webb and Shivam Raina that shines through - especially Raina who touches a chord as Majid.
This film is not a light watch – it’s a poignant tale that leaves you thinking about the half-widows and half-orphans, and many such untold stories. 

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Badla (2019)

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 Details

Official Sites: Official Facebook | Official Site

Country: India

Language: Hindi

Release Date: 8 March 2019 (India) 

Also Known As: Badla.

Filming Locations: Glasgow, Scotland, UK

Mard Ko Dard Nahi Hota

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India's Most Wanted (2019)

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Judgementall Hai Kya (2019)

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Hamid (2018)

Story: A seven-year-old boy, in a quest to have his father back, calls a number he believes is God’s own cell phone. He reaches a CRPF Jawan instead, who pretends to be God and plays along, and an interesting friendship ensues.

Review: Adapted from Mohammed Amin Bhat’s play, ‘Hamid’ is an achingly beautiful portrayal of loss, love and longing in one of the world’s most troubled and militarised zones, Kashmir. What’s interesting and praiseworthy is that the writers don’t pander to jingoism, as is the case in most Hindi films about Kashmir, and stick to the point. Rehmat (Sumit Kaul) is missing, who is father to seven-year-old Hamid (Talha Arshad Reshi) and husband to Ishrat. While Ishrat tries to find her husband, like how thousands of Kashmiri women do; by going to the police and later to the morgue, little Hamid has his own, brilliant way. He calls God directly and inquires his father’s whereabouts. Where does he get the number from, you ask? Well, everyone knows Allah’s number is 786! He figures out a way to dial Allah, and the call is routed to a CRPF Jawan, who gets involved in the boy’s life, albeit from a distance.

With this simple story, filmmaker Aijaz Khan tells a thousand tales and conveys a thousand emotions. You are with Hamid when he misses his father. You can see how little Hamid’s mother ignores him, as she is shackled by her own grief to even reach out and hug her son, who is grieving, too. You see how an occupation stifles the jawan Abhay Kumar, in throes of post-traumatic stress disorder, who is longing to be with his own eight-month-old daughter. You see the self-destructive relationship between the forces and the stone-pelters and feel how both are injured in the process of opposing each other. But there’s humour, too, which helps fight the darkness, both for the viewers and the characters in the film.

Made on a lean budget, the film has top-notch production quality, a brilliant score by Andrew T Mackay and superb performances by Talha Arshad Reshi, Rasika Dugal, Vikas Kumar and Sumit Kaul. It captures Kashmir like no other film has before. It captures the broken beauty of its bylanes and crumbling hills. It captures the sadness and the hopes of Kashmiris, which we haven’t seen before. It humanises the entire valley and lays bare brutal truths. Above all, it shows what art is here for; to pose tough questions and to show a mirror to society. So, if you need a reality check and want to know just what millions of Kashmiris go through each day, go and watch this wonderful little film in theatres.

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Gully Boy (2019)

Entertainment ekdum hard hai bhai
Gully Boy Story: Murad (Ranveer Singh) must fight off his poverty and social disadvantage to realise his dream of being a rapper. His friends and family rally together to help an ordinary boy in becoming an extraordinary rapper.

Gully Boy Review: There’s a line in the film where the character MC Sher (Siddhant Chaturvedi) says, “Agar duniya mein sab comfortable hote toh rap kaun karta?” That’s an insight that comes only from a true fan of this performing art. Director Zoya Akhtar’s ‘Gully Boy’ is the definitive look at the rap scene in India. It chronicles the story of an ordinary boy Murad, from Dharavi, who dreams big and refuses to let adversity squash his spirit. His journey from being the quintessential slumdog to being an ambitious rapper named Gully Boy, is exhilarating and exciting, to say the least. Rap is an unconventional genre of music in India, but even those who don’t necessarily associate with this form of music, will be able appreciate the underdog and heartfelt story.

The story kicks-off in a match-box sized chawl room in Dharavi, where Murad dreams of a better life. He loves the feisty Safeena (Alia Bhatt) just as much he loves to pour his pent up emotions and frustrations onto paper. His life takes a dramatic turn when one day he sees MC Sher aka Shrikant, rap a few college boys to shame, after they’ve booed a girl offstage. Shrikant takes Murad under his wing and together they kick-start a rapper team that’s high on spirit and passion. It’s the classic underdog story, with Murad’s poverty establishing the fact that he’s got very little chance to succeed and no right to harbour big dreams either. Also, his orthodox father Aftab (Vijay Raaz) brings in the quintessential conflicted relationship. While some parts of the film are predictable, what makes ‘Gully Boy’ stand out is the emotional intelligence. Murad’s journey has some fantastic moments that draw you in and keep you hooked. The stellar dialogues by Vijay Maurya add depth to the narrative. The story and screenplay by Reema Kagti and Zoya scores high, has flair and finesse with beautiful touches on the edges. It’s just the kind that raises the tempo of the narrative a notch higher.

The driving force of the film though is the performance by Ranveer Singh. He was born to play this part and the way he raps his soul out in the film, makes it a killer set. He breathes life, despair, euphoria and belief into his role. A line in the film where MC Sher tells Murad says, ‘Tere andar toofan hai’ is bang on. With every new performance, the actor brings in a tidal wave of surprises. Equally brilliant is Alia Bhatt, in a smaller, but deeply impactful role. The actress brings effortless ease into the fiery eccentricities of her character. The chemistry between Ranveer and Alia is cute, lovable and fiery, too. Siddhant Chaturvedi, in his first film, deserves a dab of honour. He’s easily one of the most effortless actors in showbiz. Vijay Varma, Kalki Koechlin and Vijay Raaz are all superb in their respective roles as well.

The music of the film is killer, too. The movie is inspired by the lives of rappers Naezy and Divine, and these Indian artistes, along with a whole host of their contemporaries, have scored a super soundtrack for the film. There’s a reason the film feels legit and that’s down to the fact that real rap artistes worked on this film. The treatment and the visual finesse of the film are at par with anything you’ve seen from Hollywood or anywhere around the world. The rap battles shown in the film are riveting and an inspired piece of writing. The problem with the film though is it’s length, which stretches to two-and-a-half hours, but the emotional deftness and clap-worth dialogues add the right amount of gusto and keep you totally engaged. This is a film that deserves an encore. And in true rap style, let’s just say… yeh Gully Boy hard hai bhai!

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